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24.06.2017 12:23 -
ÑÂÅÒÎÑÒÒÀ Ñ ÍÎÂÈ ÈÇÏÚËÍÈÒÅËÈ !!
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lazarlalev2017@abv.bg
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(íÿìà òåìà)
îò:
Georgy Georgiev (georgyvienna@yahoo.de)
äàòà:
23.06.2017 15:49
äî:
Ëàçàð Ëàëåâ (lazarlalev2017@abv.bg)
the subject you*ve chosen ...
(of course..:again provikative!)
... is worth for referating ,as
well actuell and of a public dis-
cussion...- who would but dare
that no-days..?
thus -(about t"he holy drinker")
1) there isn*t any room for drin-
kers ,whores,sinners,etc. in the
paradise (e.g.-in Heaven!).
pls to ref.to...:
Eph. -5.18
Lk. - 21.34
Proverbs -23.29-35
1 Thim. -3.2-4 ...etc.
clear and simple!
2) there isn*t ,too... (and how
would be possible !?)...
"a holy vice "!?
a real non-sence!
3) Joseph Roth has written
(let*s classify it that way !)...-
a self-indulgence !
clear/understandable!
4) * personally have absolu-
tely no objections (!) to that
famous story!
....
it is written even poetically
and having much to do with
Martin Buber*s ideas...
( sujets like that could be
found also by Fr.Werfel and
other ones...).
5) including that "play" with
the name of S.Therese of
Liseaux is very suspicious!
to my opinion...!
that speculation with wine,with
whores and drunk-bolds might
be popular,beloved and prefer-
ed looking now-days but...-
entirely wrong!
thus : scrupulous and
intended!
(only to remember of the navive
"business" spending money for
chapells,"Caritas",etc....
no my dear...,you *ll deceive no
one...!-at the least me...!).
en bref...:
they have their place in Hell... -
reserved!
ll.
concerning Klimt and Schiele ...-
you*re mentioning about...-
both *re a good example for that
what"la fètichisme"in the modern
painting makes up...!
Klimt...- just that...!
Schiele -asthough incesting with...
"his proper wife"!
Klimt-absolutelly ecletic...!
Schiele... - unique in picturing "la
carne" !
* personally dis-like both of them
but must agree that Klimt*s Judith
is an absolute icon of the moder-
nity and what we call ..."La femme
fa tale"and (together with Munch*s
interpretation of the sujet)the only
rivalry to that of Giorgione( in the
Heremitage )-that you know quite
well...!
no-one of the above mentioned
but having any thing to do with
that sacralization of the vice you
mean...(by the way...: not you but
the great romancier!).
concluding with some-thing out-
sides... (and in spite of all !)...con-
nected with the subject...:
the problem for the balance... and
the temperance in drinking...
you know ...- it depends of the self
controll and of the measure!
that*s why the paintings of the so
called "minor Dutch masters" *re
so ugly,so abominable =depicting
us a base..., a miserable drinking
of that kind you*re analyzing...
to clear up compare (par example)
"The good/marry drinker" by Frans
Hals with any one(!) inn-scene by
Jan Steen!
much can be written about but ....
here * prefer to stop!
Ïîùà
DOX
lazarlalev2017@abv.bg
ÀÁÂ Ïîùà
Íàïèøè
Êóòèÿ
Èçïðàòåíè
×åðíîâè
|
7
Ñïàì
政֌
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ÀÁ ×àò
Íà ëèíèÿ
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|
Ñïàì
|
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|
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(íÿìà òåìà)
îò:
Georgy Georgiev (georgyvienna@yahoo.de)
äàòà:
23.06.2017 15:49
äî:
Ëàçàð Ëàëåâ (lazarlalev2017@abv.bg)
the subject you*ve chosen ...
(of course..:again provikative!)
... is worth for referating ,as
well actuell and of a public dis-
cussion...- who would but dare
that no-days..?
thus -(about t"he holy drinker")
1) there isn*t any room for drin-
kers ,whores,sinners,etc. in the
paradise (e.g.-in Heaven!).
pls to ref.to...:
Eph. -5.18
Lk. - 21.34
Proverbs -23.29-35
1 Thim. -3.2-4 ...etc.
clear and simple!
2) there isn*t ,too... (and how
would be possible !?)...
"a holy vice "!?
a real non-sence!
3) Joseph Roth has written
(let*s classify it that way !)...-
a self-indulgence !
clear/understandable!
4) * personally have absolu-
tely no objections (!) to that
famous story!
....
it is written even poetically
and having much to do with
Martin Buber*s ideas...
( sujets like that could be
found also by Fr.Werfel and
other ones...).
5) including that "play" with
the name of S.Therese of
Liseaux is very suspicious!
to my opinion...!
that speculation with wine,with
whores and drunk-bolds might
be popular,beloved and prefer-
ed looking now-days but...-
entirely wrong!
thus : scrupulous and
intended!
(only to remember of the navive
"business" spending money for
chapells,"Caritas",etc....
no my dear...,you *ll deceive no
one...!-at the least me...!).
en bref...:
they have their place in Hell... -
reserved!
ll.
concerning Klimt and Schiele ...-
you*re mentioning about...-
both *re a good example for that
what"la fètichisme"in the modern
painting makes up...!
Klimt...- just that...!
Schiele -asthough incesting with...
"his proper wife"!
Klimt-absolutelly ecletic...!
Schiele... - unique in picturing "la
carne" !
* personally dis-like both of them
but must agree that Klimt*s Judith
is an absolute icon of the moder-
nity and what we call ..."La femme
fa tale"and (together with Munch*s
interpretation of the sujet)the only
rivalry to that of Giorgione( in the
Heremitage )-that you know quite
well...!
no-one of the above mentioned
but having any thing to do with
that sacralization of the vice you
mean...(by the way...: not you but
the great romancier!).
concluding with some-thing out-
sides... (and in spite of all !)...con-
nected with the subject...:
the problem for the balance... and
the temperance in drinking...
you know ...- it depends of the self
controll and of the measure!
that*s why the paintings of the so
called "minor Dutch masters" *re
so ugly,so abominable =depicting
us a base..., a miserable drinking
of that kind you*re analyzing...
to clear up compare (par example)
"The good/marry drinker" by Frans
Hals with any one(!) inn-scene by
Jan Steen!
much can be written about but ....
here * prefer to stop!
Ïîùà
DOX
lazarlalev2017@abv.bg
ÀÁÂ Ïîùà
Íàïèøè
Êóòèÿ
Èçïðàòåíè
×åðíîâè
|
7
Ñïàì
政֌
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ÀÁ ×àò
Íà ëèíèÿ
Èçòðèé
|
Ñïàì
|
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|
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Îòãîâîðè
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Îòãîâîðè íà âñè÷êè
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Îùå
(íÿìà òåìà)
îò:
Georgy Georgiev (georgyvienna@yahoo.de)
äàòà:
23.06.2017 15:49
äî:
Ëàçàð Ëàëåâ (lazarlalev2017@abv.bg)
the subject you*ve chosen ...
(of course..:again provikative!)
... is worth for referating ,as
well actuell and of a public dis-
cussion...- who would but dare
that no-days..?
thus -(about t"he holy drinker")
1) there isn*t any room for drin-
kers ,whores,sinners,etc. in the
paradise (e.g.-in Heaven!).
pls to ref.to...:
Eph. -5.18
Lk. - 21.34
Proverbs -23.29-35
1 Thim. -3.2-4 ...etc.
clear and simple!
2) there isn*t ,too... (and how
would be possible !?)...
"a holy vice "!?
a real non-sence!
3) Joseph Roth has written
(let*s classify it that way !)...-
a self-indulgence !
clear/understandable!
4) * personally have absolu-
tely no objections (!) to that
famous story!
....
it is written even poetically
and having much to do with
Martin Buber*s ideas...
( sujets like that could be
found also by Fr.Werfel and
other ones...).
5) including that "play" with
the name of S.Therese of
Liseaux is very suspicious!
to my opinion...!
that speculation with wine,with
whores and drunk-bolds might
be popular,beloved and prefer-
ed looking now-days but...-
entirely wrong!
thus : scrupulous and
intended!
(only to remember of the navive
"business" spending money for
chapells,"Caritas",etc....
no my dear...,you *ll deceive no
one...!-at the least me...!).
en bref...:
they have their place in Hell... -
reserved!
ll.
concerning Klimt and Schiele ...-
you*re mentioning about...-
both *re a good example for that
what"la fètichisme"in the modern
painting makes up...!
Klimt...- just that...!
Schiele -asthough incesting with...
"his proper wife"!
Klimt-absolutelly ecletic...!
Schiele... - unique in picturing "la
carne" !
* personally dis-like both of them
but must agree that Klimt*s Judith
is an absolute icon of the moder-
nity and what we call ..."La femme
fa tale"and (together with Munch*s
interpretation of the sujet)the only
rivalry to that of Giorgione( in the
Heremitage )-that you know quite
well...!
no-one of the above mentioned
but having any thing to do with
that sacralization of the vice you
mean...(by the way...: not you but
the great romancier!).
concluding with some-thing out-
sides... (and in spite of all !)...con-
nected with the subject...:
the problem for the balance... and
the temperance in drinking...
you know ...- it depends of the self
controll and of the measure!
that*s why the paintings of the so
called "minor Dutch masters" *re
so ugly,so abominable =depicting
us a base..., a miserable drinking
of that kind you*re analyzing...
to clear up compare (par example)
"The good/marry drinker" by Frans
Hals with any one(!) inn-scene by
Jan Steen!
much can be written about but ....
here * prefer to stop!
Ïîùà
DOX
lazarlalev2017@abv.bg
ÀÁÂ Ïîùà
Íàïèøè
Êóòèÿ
Èçïðàòåíè
×åðíîâè
|
7
Ñïàì
政֌
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È ÁÅÇ ÎÒÏÐÀÒÊÈÒÅ ÊÚÌ ÑÂÅÒÈÒÅ ÊÍÈÃÈ È ÀÂÒÎÐÈ ÇÍÀÌ, ×Å ÏÎÐÎÊÚÒ, ÎÙÅ ÏÎÂÅ×Å ÏÈßÍÑÒÂÎÒÎ, ÊÎÅÒÎ ÏÐÎÌÅÍß ÑÚÇÍÀÍÈÅÒÎ, ÂÊËÞ×ÈÒÅËÍÎ È ÐÅËÈÃÈÎÇÍÎÒÎ ÑÚÇÍÀÍÈÅ, ÍÅ Å ÏÚÒ ÊÚÌ ÐÀß. ÂÚÏÐÅÊÈ ×Å, ×ÐÅÇ ÁÎÍÂÈÂÀÍÒÑÒÂÎÒÎ ÍÀ ÔÐÀÍÖÓÇÈÒÅ, ÊÎÈÒÎ ÂÈÍÀÃÈ ÍÀÌÈÐÀÒ ÑÐÅÄÑÒÂÎ ÇÀ ÏÐÎÌÚÊÂÀÍÅ ÏÐÅÇ ÃÐÅÕÀ È ÏÎÐÎÊÀ, ÒÈ ÎÒÂÀÐßØ ÂÐÀÒÈ×ÊÀ ÇÀ ÍÅÁÅÒÎ, ÄÀ ÐÅ×ÅÌ Ñ ÍÅ ÑÒÈÃÀÙÎÒÎ ÄÎ ÏÎÐÎÊ "ÓÌÅÐÅÍÎ ÏÈÅÍÅ".
ÎÙÅ ÒÓÊ ÈÌÀ ÏÐÎÒÈÂÎÐÅ×ÈÅ: ÊÎÉ ÙÅ ÈÇÌÅÐÈ ÏÎÐÎÊÀ, ÊÎÉ ÙÅ ÎÏÐÅÄÅËÈ ÊÎÅ ÏÈÅÍÅ Å ÓÌÅÐÅÍÎ È ÊÎÅ ÍÅ, ÍÎ ÂÚÏÐÎÑÚÒ ÍÅ Å Â ÒÎÂÀ. ÂÚÏÐÎÑÚÒ Å, ×Å Â ÊÀÍÎÍÈ×ÍÀÒÀ ÑÈ ×ÀÑÒ, ÕÐÈÑÒÈÀÍÑÊÀÒÀ ÂßÐÀ ÍÅ ÌÎÆÅ ÄÀ ÏÐÈÅÌÀ ÏÎÐÎÊÀ ÊÀÒÎ ÏÚÒ ÊÚÌ ÍÅÁÅÒÎ. ÒÎ Å È ÁËÈÇÊÎ ÄÎ ÓÌÀ, ÅÄÍÀ ÎÒ ÔÓÍÊÖÈÈÒÅ ÍÀ ÂÅÐÎÈÇÏÎÂÅÄÀÍÈÅÒÎ Å ÎÏÀÇÂÀÍÅ ÍÀ ÇÄÐÀÂÅÒÎ, ÂÊËÞ×ÈÒÅËÍÎ È ÒÅËÅÑÍÎÒÎ. À ÕÐÈÑÒÈÀÍÑÒÂÎÒÎ ÓÑÈËÂÀ , À ÍÅ ÎÒÑËÀÁÂÀ ÒÀÇÈ ÏÐÀÊÒÈÊÀ.
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ÂÚÏÐÎÑÚÒ Å ÇÀ ×ÎÂÅÊÀ ÏÎÄÄÀË ÑÅ ÍÀ ÏÎÐÎÊÀ. ÇÀ "ÑÂÅÒÈß ÏÈßÍÈÖÀ", ÇÀ "ÑÂÅÒÀÒÀ ÁËÓÄÍÈÖÀ", ÇÀ "ÁËÓÄÍÈß ÑÈÍ", ÇÀ "ÑÂÅÙÅÍÈß ÂÅÐÒÅÏ" È ÏÐ. ÙÅ ÐÅ×Å ÇÀ ×ÎÂÅÊÀ  ÏÎÐÎÊÀ, À ÒÎÉ ÍÅ Å ÏËÀÒÎÍÈ×ÅÑÊÈ ÅÉÄÎÑ ÊÀÒÎ ÏÎÐÎ×ÍÎÑÒÒÀ, À ÆÈÂÀ ÏËÚÒ, Ñ "ÏÚÒß ÍÀ ÂÑßÊÀ ÏËÚÒ"/ÏÀÊ ÎÒ ÑÂÅÒÈÒÅ ÈÇÒÎ×ÍÈÖÈ ÑÚÌ ÃÎ ÂÇÅË/ÑÒÀÂÀ ÄÓÌÀ ÇÀ ×ÎÂÅØÊÎ ÑÚÙÅÑÒÂÎ, ÊÎÅÒÎ ÇÀÑËÓÆÀÂÀ ÏÐÎØÊÀ, ÌÈËÎÑÒ, ÑÚÑÒÐÀÄÀÍÈÅ È ÊÎÈÒÎ ÌÓ ÑÅ ÄÚËÆÀÒ È ÊÀÍÎÍÈ×ÅÑÊÈ ÏÐÈ ÖßËÎÒÎ ÌÓ ÏÀÄÅÍÈÅ- ×ÐÅÇ ÌÎËÈÒÂÀÒÀ È ÏÎÊÀßÍÈÅÒÎ.
ÇÀÙÎ? ÇÀÙÎÒÎ ÏÎÐÎ×ÍÈßÒ Å ÑÐÀÑÒÎÒÅÐÏÅÖ. È ÅÒÈÌÎËÎÃÈ×ÅÑÊÈ Å ÒÀÊÀ "ÏÎ-ÐÎÊ", Ò.Å. ÑÚÄÁÎÂÍÎ, ÑÂÈØÅ, ÎÁÐÅ×ÅÍ ÍÀ ÑÒÐÀÄÀÍÈÅ.
ÒÎ ÑÈ Å ÒÀÊÀ È ÏÎ "ÊËÈÍÈ×ÅÑÊÀ ÊÀÐÒÈÍÀ": ÌÀÕÌÓÐËÓÊ, ÖÅÏÅÍÅ ÍÀ ÃËÀÂÀÒÀ  ØÅÌÅÒÀ ÍÀ ÊÐÚÃÎÂÚÐÅÒÅÍÅÒÎ, ÅÉ-ÁÎÃÓ, ÄÀ ÍÅ ÒÈ ÑÅ ÑËÓ×ÂÀ! ÑËÅÄ ÒÎÂÀ:ÑÈÍÄÐÎÌ ÍÀ ÊÎÐÑÀÊÎÂ, ÏÐÎÑËÎÂÓÒÈßÒ ÄÅËÈÐÈÉ Ñ ÏÀßÖÈÒÅ È ÌÈØÎÖÈÒÅ, ÑÚÁÓÆÄÀÍÅÒÎ Â ÏÚËÍÀ ÍÅÌÎÙ È ÌÈßÇÌÈ ÎÒ ÑÎÁÑÒÂÅÍÎÒÎ ÒßËÎ. ÄÀ ÍÅ ÃÎÂÎÐÈÌ, ÇÀ ÄÐÅÁÍÈÒÅ ÎÂÐÀÇÈ ÏÎ ÌÀÐØÐÓÒÀ, ÏÎÂÐÚÙÀÍÈßÒÀ, ×Å ×ÀÊ ×ÅÐÂÀÒÀ ÄÀ ÈÇÊÎ×ÀÒ, ÏÀÄÀÍÈßÒÀ  ËÎÊÂÈÒÅ, ÁËÚÑÊÀÍÈßÒÀ ÍÀ ×ÅÐÅÏÀ  ÑÒÚËÁÎÂÅ È ÑÒÅÍÈ. À ÄÓØÅÂÍÈÒÅ ÑÒÐÀÄÀÍÈß:ÒÅÇÈ ÓÃÐÈÇÅÍÈß, ÏÎ-ÑÈËÍÈ È ÎÒ ÔÈÇÈ×ÅÑÊÀ ÁÎËÊÀ, ÄÎÂÅÆÄÀÙÀ  ÍÅÌÀËÚÊ ÏÐÎÖÅÍÒ ÎÒ ÑËÓ×ÀÈÒÅ ÄÎ ÑÓÈÖÈÄ.
ÑËÅÄÎÂÀÒÅËÍÎ ÒÓÊ ÈÌÀ ÏÎÍÅ ÒÐÈ ÅËÅÌÅÍÒÀ, ÊÎÈÒÎ ÑÀ "×ÎÂÅØÊÎ ÌÍÎÃÎ ×ÎÂÅØÊÎ"/ÍÈÖØÅ/ È ÊÎÈÒÎ ÍÅ ÌÎÃÀÒ ÄÀ ÑÅ ÎÁÎÁÙßÒ Â ÕËÀÄÍÈß, ÁËÓÄÊÀÂ È ÁÅÇËÈ×ÅÍ ÅÉÄÎÑ ÍÀ ÔÈËÎÑÎÔÀ– ÏÎÐÎ×ÍÎÑÒ.ÒÅ ÑÀ ÑÀÌÎÒÎ ÑÒÐÀÄÀÍÈÅ ÏÎ ÅÒÈÌÎËÎÃÈ×ÍÈß ÑÌÈÑÚË ÍÀ ÑÒÐÀÄÀÍÈÅÒÎ = "ÑÒÐÀÑÒ". À ÏÎÐÎÊÚÒ ÍÅ Å ÄÐÓÃÎ À ÎÁÐÅ×ÅÍÎ ÍÀ ÏÐÎÄÚËÆÈÒÅËÍÎÑÒ, ÙÅ ÐÅ×Å ÕÐÎÍÈ×ÅÑÊÎ ÑÒÐÀÄÀÍÈÅ: "ÏÎ-ÐÎÊ".
ÂÒÎÐÎ, ÑÀÌÎÒÎ ÑÒÐÀÄÀÍÈÅ Å È ÍÀÊÀÇÀÍÈÅ. ÒÎ Å ÇÀÑËÓÆÅÍÎ ÑËÅÄÑÒÂÈÅ ÎÒ ÃÐÅÕÀ. ÍÀÊÀÇÀÍÈÅ, ÊÎÅÒÎ Ñ Ó×ÀÑÒÈÅÒÎ ÍÀ ÑÚÇÍÀÍÈÅÒÎ ÏÎ ÏÚÒß ÍÀ ÑÈÍÅÐÃÅÒÈ×ÍÈß ÅÔÅÊÒ ÑÅ ÓÌÍÎÆÀÂÀ. ÙÅ ÐÅ×Å, ÒÎ Å ÑÂÐÚÕ ÍÀÊÀÇÀÍÈÅ!
È ÒÐÅÒÎÒÎ ÎÒ "×ÎÂÅØÊÎÒÎ ÌÍÎÃÎ ×ÎÂÅØÊÎ" ÍÀ ÍÀØÈß Ó×ÈÒÅË Å ËÞÁÈÌÎÒÎ ÍÀ ÕÐÈÑÒÈÀÍÑÊÈÒÅ ÄÓØÈ "ÐÀÇÊÀßÍÈÅ". Ò.Å. ÏÀÊ ÑÒÐÀÄÀÍÈÅ, ÍÎ Ñ ÌÎÐÀËÈÑÒÈ×ÍÀ ÏÐÈÒÓÐÊÀ ÊÀÒÎ ÊÎÔÀ ÑÎË Â ÐÀÍÀÒÀ.
ÈÇËÈÇÀ ÅÄÈÍ ßÊ ÏÐÎ×ÅÍ ÊÐÚà ÑÚÑ ÑÈÍÅÐÃÈ×ÍÎ ÂÇÀÈÌÎÄÅÉÑÒÂÈÅ ÍÀ ÅËÅÌÅÍÒÈÒÅ: ÑÒÐÀÄÀÍÈÅÒÎ ÏÐÅÄÈÇÂÈÊÂÀ ÍÀÊÀÇÀÍÈÅ, ÍÀÊÀÇÀÍÈÅÒÎ ÑÅ ÂÐÚÙÀ ÊÚÌ ÑÒÐÀÄÀÍÈÅÒÎ ÊÀÒÎ ÐÀÇÊÀßÍÈÅ. ÇÄÐÀ ÎÁÐÚ×, ÊÀÒÎ ÎÃËÀÂÍÈÊ ÍÀ ÊÎÍ.  ÒÎÇÈ ÀÑÏÅÊÒ ÑÈ ÑÏÎÌÍßÌ ÅÄÍÀ ÑÂÎß ÁËÈÇÊÀ ÎÒÏÐÅÄÈ 60 ÃÎÄÈÍÈ, ÊÎÃÀÒÎ ÌÎÌÈ×ÅÒÀÒÀ ÁßÕÀ ÏÎ-ÍÀÈÂÍÈ È ÏÐÎÑÒÎÄÓØÍÈ. ÁÅØÅ ÑÅ ÏÎÍÀÏÈËÀ, ÄÎÏÓÑÍÀËÀ  ÑÅÁÅ ÑÈ ËÅÂÅÍÒÀ Ñ ÏÐÅÊÎÌÅÐÍÎ ÅÐÅÃÈÐÀÍÈß ÌÓ ×ËÅÍ, ÏÐÅÄÈÇÂÈÊÀË ÁÎËÊÈ È ÊÐÚÂÎÈÇËÈÂ: "ÄÀ ÌÅ ÁÎËÈ, ÙÎÌ ÑÚÌ ÒÎËÊÎÇ ËÅÊÎÌÈÑËÅÍÀ".
ÈÌÀ ËÈ ÈÇÕÎÄ ÎÒ ÂÑÈ×ÊÎ ÒÎÂÀ? Î ÄÀ, ÄÎÐÈ ÁÅÇÌÈËÎÑÒÍÎÒÎ È ÍÈÙÎ ÍÅ ÏÐÎÙÀÂÀÙÎ ÕÐÈÑÒÈÀÍÑÒÂÎ ÃÎ ÏÐÅÄÂÈÆÄÀ: ÈÇÊÓÏËÅÍÈÅÒÎ. À ÒÎ Å ÑÀÌÎÍÀËÎÆÅÍÎ ÑÒÐÀÄÀÒÈÅ È ÍÀÊÀÇÀÍÈÅ. ÇÀÒÎÂÀ ÎÒÅÖ ÑÅÐÃÈÉ ÍÀ ÒÎËÑÒÎÉ, ÈÇÊÓÑÅÍ ÎÒ ÆÀÄÍÀÒÀ ÏËÚÒ ÍÀ ÌÀËÎÓÌÍÀÒÀ, ÑÈ ÐÅÆÅ ÌÀËÊÎÒÎ ÏÐÚÑÒ×Å, ÊÓÒÐÅÒÎ. ÙÀÄÈ ÑÅ ÂÑÅ ÏÀÊ, ÊÀÒÎ ÄÎÁÚÐ ÕÐÈÑÒÈßÍÈÍ ÎÁÈ×À ÑÅÁÅ ÑÈ. ÍÎ ÀÊÒÚÒ Å ÑÈÌÂÎËÈ×ÅÍ. ÒÎÂÀ Å ÇÀÌßÍÀ, ÑÓÁÑÒÈÒÓÖÈß, ÂÌÅÑÒÎ ÇÀÊÎÂÀÍÈß ÍÀ ÊÐÚÑÒÀ ÑÏÀÑÈÒÅË, ÌÈÍÈÌÀËÍÀÒÀ ËÈ×ÍÀ ÄÀÍ.
ÍÎ ÒÓÊ ÈÇÑËÅÄÎÂÀÒÅËÈÒÅ ÍÀ ÒÎËÑÒÎÉ ÑßÊÀØ ÓÌÈØËÅÍÎ ÏÐÎÏÓÑÊÀÒ ÄÐÓÃÀÒÀ ÑÒÐÀÍÀ ÂÚ ÂÇÀÈÌÎÂÐÚÇÊÀÒÀ: ÍÀÏÐÀÙßËÀÒÀ ÎÒ ÏËÚÒ È ÑÒÐÀÑÒ ÈÑÊÓÑÈÒÅËÊÀ - ÌÀËÎÓÌÍÀ - ÙÅ ÐÅ×Å, ÁÅÇ ÇÀÄÐÚÆÊÈÒÅ ÍÀ ÓÌÀ, ÎÒÄÀÄÅÍÀ ÍÀ ÂÚÆÄÅËÅÍÈÅÒÎ. ÍÀÉ-ÌÀËÊÎÒÎ Òß Å Î×ÀÊÂÀËÀ ÐßÇÀÍÅÒÎ ÍÀ ÏÐÚÑÒ È ÊÐÚÂÎÒÅ×ÅÍÈÅ, ÑÀÌÎ ÏÎ ÑÅÁÅ ÑÈ ÄÐÓÃÀ ÑÈÌÂÎËÈÊÀ. Òß Å Î×ÀÊÂÀËÀ, ÇÍÀÅÌ ÊÀÊÂÎ! ÍÎ ÍÅ ÑËÓ×ÂÀ. ÏÎËΠÀÊÒ ÀÁÎÐÒÈÐÀÍ Â ÑÀÌÎÒÎ ÌÓ ÍÀ×ÀËÎ. ÑÏÎÌÍßÌ ÑÈ ÐÀÄÎÉ ÐÀËÈÍ: "ÍÅ...ÍÀ ÆÅÍÀ, ÍÅÓÁÈÒ ÇÂßÐ". ÏÎËÓ×ÀÂÀ ÑÅ, ÍÅ ÊÎÍÑÓÌÈÐÀËÀ ÏÎÂÎÄÀ ÇÀ ÑÂÎÅÒÎ ÑÒÐÀÄÀÍÈÅ, ÍÎ ÍÀÊÀÇÀÍÀ ÇÀ ÍÅÈÇÂÚÐØÅÍ ÃÐßÕ! ÊÀÊÂÎ ËÈ Å ÁÈËÎ ÍÀ ÒÀÇÈ ÌÎÌÀ. ÑÀÌÎ ÀÇ, ÈÌÏÎÒÅÍÒÚÒ, ÌÎÃÀ ÄÀ ß ÐÀÇÁÅÐÀ.
È ÒÓÊ, ÍÀ ×ÈÑÒÎ ×ÎÂÅØÊÀ ÏËÎÑÊÎÑÒ, Å ÂÐÚÇÊÀÒÀ ÍÀ ÏÎÐÎÊÀ ÑÚÑ ÑÂÅÒÎÑÒÒÀ. ÏÎÐÎ×ÍÈßÒ Å ÑÒÐÀÄÀËÅÖ È ÑÂÅÒÅÖÚÒ Å ÑÒÐÀÄÀËÅÖ;ÏÎÐÎ×ÍÈßÒ ÎÑÚÇÍÀÂÀ ÑÒÐÀÄÀÍÈÅÒÎ ÑÈ È ÑÂÅÒÅÖÚÒ ÎÑÚÇÍÀÂÀ ÍÀÉ-ÌÀËÊÎÒÎ ÇÀÙÎ Å ÑÒÀÍÀË ÑÂÅÒÅÖ; ÏÎÐÎ×ÍÈßÒ Å ÍÀÊÀÇÀÍ È ÑÂÅÒÅÖÚÒ Å ÍÀÊÀÇÀÍ ÄÎÐÈ ÑÀÌÎ Ñ ÏÐÈÌÅÐÀ ÍÀ ÑÂÎß ÏÀÒÐÎÍ, "ÐÀÇÏÍÀÒ ÍÀ ÊÐÚÑÒÀ".
ÒÎÇÈ ÌÎÒÈ ÒÀ "×ÎÂÅØÊÎÒÎ ÌÍÎÃÎ ×ÎÂÅØÊÎ" Ó ÑÂÅÒÅÖÀ Å ÈÇÊËÞ×ÈÒÅËÍÎ ÕÀÐÀÊÒÅÐÅÍ ÇÀ ÈÇÊÓÑÒÂÎÒÎ. ÍÀÉ-ÅÔÅÊÒÍÈßÒ È ÌÍÎÃÎÇÍÀ×ÅÍ ÏÐÈÌÅÐ, ÑßÊÀØ ÇÀ Ó×ÅÁÍÈÊ ÏÎ ÑÅÌÈÎÒÈÊÀ! "ÎÒÅÖ ÇÎÑÈÌÀ ÏÐÎÂÎÍßËÑß!" /ÄÎÑÒÎÅÂÑÊÈ "ÁÐÀÒß ÊÀÐÀÌÀÇÎÂÈ"/. ÑÊÀÍÄÀË, ÊÀÊÒÎ È ÄÀ ÃÎ ÂÇÅÌÅØ. ÍÈÅ ÏÐÎÑÒÎÑÌÚÐÒÍÈÒÅ È ÒÀÊÀ ÏÐÈÆÈÂÅ ÑÈ ÂÎÍÈÌ, ÍÎ ÑÂÅÒÅÖÚÒ, ×ÈÈÒÎ ÌÎÙÈ ÒÐßÁÂÀ ÄÀ ÁËÀÃÎÓÕÀßÒ È ËÅÊÓÂÀÒ, "ÏÐÎÂÎÍßËÑß"! ÕÀÌÚÒ ÙÅ ÂÚÇÊËÈÊÍÅ:ß, ÒÎÉ ÁÈË ÊÀÒÎ ÍÀÑ - ÏÎÐÎ×ÅÍ, ÁÎËÅÍ, ÐÀÇËÀÃÀÙ ÑÅ ÒÐÓÏ. ÇÀÙÎÒÎ, ÊÀÊÒÎ È ÄÀ ÃÎ ÂÇÅÌÅØ, ÇÀ ÑÂÅÒÅÖ ÎÒ ÐÀÍÃÀ ÍÀ Î.ÇÎÑÈÌÀ ÏÐÎÂÎÍßÂÀÍÅÒÎ, ÍÀÉ-ÑÈÃÓÐÍÈßÒ ÇÍÀÊ ÇÀ ÏÐÈÑÚÑÒÂÈÅ ÍÀ ÆÈÂÀ ÏËÚÒ, Å ÃÐßÕ. ÇÍÀ×È Î.ÇÎÑÈÌÀ ÍÈ Å ËÚÃÀË:ÍÈÊÀÊÚ ÑÂÅÒÅÖ ÍÅ Å, À ÁÀÍÀËÅÍ ÃÐÅØÍÈÊ! ÊÎÅÒÎ Å È "ÊËÞÊÀÒÀ", ÊÀÊÒÎ ÑÅÃÀ ÀÍÒÐÅÔÈËÅ ÎÒ ÆÚËÒ ÂÅÑÒÍÈÊ, ÍÀ ÃÐÀÄÀ,  ÊÎÉÒÎ ÑÅ ÐÀÇÈÃÐÀÂÀ ÖßËÀÒÀ ÔÀÁÓËÀ ÍÀ ÐÎÌÀÍÀ.
ÒÎÂÀ, ÐÀÇÁÈÐÀ ÑÅ, ÍÅ ÈÇÐÀÂÍßÂÀ ÏÎÐÎ×ÍÈß È ÑÂÅÒÅÖÀ. ÁÎÃÀ ÌÈ. ÌÀÊÀÐ È ÇÀÒÎÂÀ, ×Å ÏÎ ÏÐÈÍÖÈÏ ÂÑÈ×ÊÈ ÌÎÆÅÌ ÄÀ ÑÒÀÍÅÌ ÏÎÐÎÖÈ, À ÑÚÂÑÅÌ ÌÀËÖÈÍÀ, ÀÊÎ Â ÄÍÅØÍÎ ÂÐÅÌÅ ÈÇÎÁÙÎ ÃÈ ÈÌÀ - ÑÂÅÒÖÈ.ÑÂÅÒÅÖÚÒ ÈÌÀ ÂÑÈ×ÊÈ ÌÅÒÀÔÈÇÈ×ÍÈ, ÌÎÐÀËÍÈ È ÑÎÖÈÀËÍÈ ÁÎÍÓÑÈ ÏÐÅÄ ÏÎÐÎ×ÍÈß - ÆÀËÊÀÒÀ ÎÒÐÅÏÊÀ ÎÒ ×ÎÂÅØÊÈß ÐÎÄ. ÍÎ ÇÀÃÀÒÂÀ ÍÅÙÎ ÎÒ ÀÐÕÈÒÈÏÈ×ÍÈß ÈÌ ÎÁÙ ÏÐÎÈÇÕÎÄ. ÏÎ-ÄÎÁÐÅ ÇÍÀÅØ, ×Å ÍÅ ÑÀÌÎ ÍÀÉ-ÏÐÈÁËÈÆÅÍÀÒÀ ÄÎ ÑÏÀÑÈÒÅËß ÆÅÍÀ ÌÀÐÈß ÌÀÃÄÀËÅÍÀ Å ÁÈËÀ ÁËÓÄÍÈÖÀ. ÇÍÀ×È "ÑÂÅÒÀ ÁËÓÄÍÈÖÀ"  ÏÚËÍÈß ÑÌÈÑÚË ÍÀ ÄÓÌÀÒÀ. À ÏÐÅÄÀÒÅËÑÒÂÀÒÀ ÍÀ ÑÂ.ÏÅÒÚÐ, ÏÐÅÄÓÃÀÄÅÍÈ ÎÒ ÑÀÌÈß ÑÏÀÑÈÒÅË:"ÒÐÈ ÏÚÒÈ ÙÅ ÑÅ ÎÒÊÀÆÅØ ÎÒ ÌÅÍ..."; È ÍÀ ÂÑÈ×ÑÊÎ ÎÒÃÎÐÅ "ÃÍÅÂËÈÂ"! ÒÈ ÊÀÇÂÀØ "ÑÂßÒ ÏÎÐÎÊ" Å ÎÊÑÞÌÎÐÎÍ, ÍÎ "ÃÍÅÂËÈ ÑÂÅÒÅÖ" ÑÚÙÎ Å ÎÊÑÞÌÎÐÎÍ. ÀÏ. ÏÀÂÅË Å "ÂÑÅÇÍÀÉÊÎÂÑÊÀ ÃÎÐÄÈÍß" ÏÐÈ ÒÎÂÀ ÏÎ ÒÎËÑÒÎÉ, À ÒÎÉ Å ÐÀÇÁÈÐÀË ÎÒ ÒÅÇÈ ÐÀÁÎÒÈ, "ËÎØ ÏÈÑÀÒÅË". À "ÍÅÂÅÐÍÈßÒ ÒÎÌÀ"?  ÊÎÃÎÒÎ È ÄÀ Å ÎÒ ÒÅÇÈ ÊÀÍÎÍÈÇÈÐÀÍÈ ÑÂÅÒÖÈ, ×ÈÈÒÎ ÆÈÒÈß ÐÀÇËÈÃÀÂÅÍÎ ÑÅ ÏÅßÒ ÍÀ ÑÌÚÐÒÍÎÒÎ ÍÈ ËÎÆÅ ÇÀ "ÑÏÀÑÅÍÈÅ ÍÀ ÄÓØÀÒÀ" /ÙÎÌ ÒÅ ÑÀ ÍÈ ÑÏÀÑÈÒÅËÈÒÅ?!/, ÙÅ ÑÅ ÎÒÊÐÈßÒ ×ÅÐÒÈ ÍÀ ÏÎÐÎÊÀ.
ÇÀÒÎÂÀ È ÃÅÐÎßÒ ÍÀ ÉÎÇÅÔ ÐÎÒ Å "ÑÂÅÒÈßÒ ÏÈßÍÈÖÀ". ÇÀÒÎÂÀ È "ÑÂÅÒÀ ÁËÓÄÍÈÖÀ" ÏÈÅ ÑÅÌÅÒÎ ÍÀ ÄÐÈÏÀÂÅËÅÖÀ - ÀËÓÇÈß ÇÀ ÏÐÈ×ÀÑÒÈÅÒÎ È ÇÀ ÏÎÄÂÈÃÀ ÍÀ ÂÑÅÈÇÂÅÑÒÍÀÒÀ ÌÀÉÊÀ ÒÅÐÅÇÀ; ÇÀÒÎÂÀ È "ÑÌÅÐÒÎÓÁÈÂÅÖÚÒ" ÐÀÑÊÎËÍÈÊΠÑÅ ÏÎÊËÀÍß ÍÀ ÑÎÍÅ×ÊÀ. ÌÀÐÌÅËÀÄÎÂÀ ÇÀ "ÂÅËÈÊÎÒÎ É ÑÒÐÀÄÀÍÈÅ".
ÇÀÙÎÒÎ ÒÅ ÑÀ ÏÎÅËÈ ÂÚÐÕÓ ÑÅÁÅ ÑÈ ÑÒÐÀÄÀÍÈÅÒÎ, ÇÀÙÎÒÎ ÂÎÏÈßÒ ÇÀ ÌÈËÎÑÒ ÊÚÌ ÑÅÁÅÏÎÄÎÁÍÈÒÅ, ÇÀÙÎÒÎ ÑÀ ÑÅ ÎÇÎÂÀËÈ Â ÎÍÎÂÀ ÄÚÍÎ ÍÀ ÄÓÏÊÀÒÀ, ÎÒ ÊÎÅÒÎ ÌÎÆÅ ÑÀÌÎ ÄÀ ÑÅ ÎÒÑÊÀ×À. ÍÅ ÏÎÐÎ×ÍÎÑÒÒÀ ÑÅ ÓÒÂÚÐÆÄÀÂÀ  ÒÎÇÈ ÀÊÒ, ÌÀÊÀÐ ×Å ÈÌÀ ÄÅÊÀÄÅÍÒÈ, ÊÎÈÒÎ È ÒÎÂÀ ÏÐÀÂßÒ, À ÄÎÑÒÎÉÍÑÒÂÎÒÎ ÍÀ ÃÐÅØÍÈÊÀ, ÍÀ ÊÎÃÎÒÎ È ÂÑÅÂÈØÍÈßÒ ÍÅ ÎÒÊÀÇÀË ÏÐÀÂÎÒÎ ÍÀ "×ÎÂÅØÊÎÒÎ, ÌÍÎÃÎ ×ÎÂÅØÊÎ".
È ÎÁÚÐÍÈ ÂÍÈÌÀÍÈÅ: ÂÑÈ×ÊÈ ÒÅÇÈ ÑÂÅÒÈ ÁËÓÄÍÈÖÈ È ÏÈßÍÈÖÈ, ÐÀÇÊÀßÍÈ ÃÐÅØÍÈÖÈ ÊÀÒÎ ÎÒÅÖ ÑÅÐÃÈÉ, ÍÀÏÎËÅÎÍÎÂÖÈ ÍÀ "ÑÌÅÐÒÎÓÁÈÂÑÒÂÎÒÎ" ÊÀÒÎ ÐÀÑÊÎËÍÈÊΠ- ÂÑÈ×ÊÈ, ÊÀÒÎ ÍÀ ÔÈËÌÎÂÀ ËÅÍÒÀ Ñ ÎÁÐÀÒÍÎ ÂÚÐÒÅÍÅ, ÑÅ ÂÐÚÙÀÒ Â ÃÐÅÕÎÏÀÄÅÍÈÅÒÎ ÏÐÅÇ ÂÑÈ×ÊÈÒÅ ÌÓ ÔÀÇÈ ÍÀÇÀÄ - ÊÚÌ ÍßÊÀÊÂÀ ÏÚÐÂÎÇÄÀÍÍÀ ÄÅÒÈÍÑÊÀ ×ÈÑÒÎÒÀ È ÍÅÂÈÍÍÎÑÒ, ÎÙÅ ÍÅ ÄÎÊÎÑÍÀÒÈ ÎÒ ÏÎÐÎÊÀ. ÂÚ ÔÈÇÈ×ÅÑÊÈ ÏËÀÍ ÒÎ ÑÅ ÑÈÌÂÎËÈÇÈÐÀ  ÎÁÐÀÒÍÈß ÏÚÒ ÍÀ ÐÀÇÊÎËÍÈÊΠÄÎ ÌßÑÒÎÒÎ ÍÀ ÓÁÈÉÑÒÂÎÒÎ ÏÐÈ ÖÅËÈß ÐÈÑÊ ÄÀ ÑÍÀÁÄÈ ÎÁÂÈÍÅÍÈÅÒÎ Ñ ÓËÈÊÈ. ÙÅ ÐÅ×Å ÏÀÐÀËÅËÚÒ ÏÎÐÎ×ÅÍ/ÑÂÅÒÅÖ Å ÌÍÎÃÎ ÏÎ-ÄÚËÁÎÊ, ÎÒÊÎËÊÎÒÎ ÏËÈÒÊÈß È ÏÎÂÚÕÍÎÑÒÅÍ ÓÌ ÍÀ ÃÐÅØÍÈÊ, ÎÁßÂÅÍ ÎÒ ÖÚÐÊÂÀÒÀ ÇÀ ÑÂÅÒÅÖ, ÌÎÆÅ ÄÀ ÑÌÅËÈ.
 ÒÀÇÈ ÂÐÚÇÊÀ ÏÐÈÇÍÀÂÀÌ ÅÄÈÍ ÑÅÐÈÎÇÅÍ ÏÐÎÏÓÑÊ Â ÏÐÅÄÈØÍÈß ÑÈ ÏÎÑÒÈÍÃ: ÌÎÄÈËÈÀÍÈ! ÒÎÂÀ Å ÒÀÇÈ "ÇËÀÒÍÀ ÌÅÄÈÀÍÀ" ÇÀ ÏÎÐÎÊ/ÑÂßÒÎÑÒ.  ÇÐßÙ ÏÎÐÎÊ, ÂÚÏËÎÒÅÍ Â ÆÅÍÑÊÀ ÏËÚÒ È ÍÅÇÐßÙÀ ÑÂßÒÎÑÒ, ÂÚÏËÎÒÅÍÀ  ÓÄÚËÆÅÍÎ ÁÅÇÎÊÎ ËÈÖÅ. È ÒÅ ÑÅ ÑÚÅÄÈÍßÂÀÒ Â ÏÐÎÑÍÀÒÀ ÍÀ ÄÈÂÀÍÀ ÃÎËÎÒÀ  ÎÒÅÍÚÖÈÒÅ ÍÀ ËÓÍÅÍ ÊÎËÎÐÈÒ È ÑÂÅÒËÈÍÀ. ÒÎÇÈ ÑÐÅÄÈÙÅÍ ÌÈÊÑ, ÊÚÄÅÒÎ ÏÎÐÎÊ È ÑÂßÒÎÑÒ ÂÇÀÈÌÍÎ ÑÅ ÍÅÓÒÐÀËÈÇÈÐÀÒ ÄÎ ÍßÊÀÊÚ ÂÈÄ ÊÀÒÀÐÇÈÑ ÎÒ ÐÎÄÀ ÍÀ ÄÇÅÍÁÓÄÈÑÒÊÎÒÎ "ÑÀÌÀÄÕÈ" ÈËÈ Â ÊÀÒÅÃÎÐÈÈÒÅ ÍÀ ÊÀÑÒÀÍÅÄÀ "ÏÐÅÕÎÄÚÒ ÎÒ ÒÎÍÀË ÊÚÌ ÍÀÃÓÀË".
ÇÀÒÎÂÀ ÏÈßÍÈÖÀÒÀ ÍÀ ÉÎÇÅÔ ÐÎÒ ÈÌÀ ÏÐÀÂÎ ÄÀ ÁÚÄÅ ÑÂßÒ, ÂÏÐÎ×ÅÌ ÒÎÉ Å ÄÎÑÒÀÒÚ×ÍÎ ÑÀÌÎÓÍÈÇÅÍ, ÇÀ ÄÀ ÑÅ ÍÀÐÅ×Å ÒÀÊÚÂ, ÍÎ ÇÀ ÀÂÒÎÐ È ×ÈÒÀÒÅË Å ÒÎ×ÂÎ ÒÀÊÚÂ. ÇÀÒÎÂÀ È ÍÀØÀÒÀ ÏÎÑÅÑÒÐÈÌÀ ÀÐÈÍÀ ÕÎËÈÍÀ ÈÌÀ ÏÐÀÂÎ ÄÀ ÒÚÐÑÈ ÍÎÂÀ ÏÐÀÃÌÀÒÈÊÀ ÇÀ ÑÚÂÐÅÌÅÍÍÀÒÀ "ÑÂßÒÀ ÁËÓÄÍÈÖÀ".
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