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04.06.2017 12:55 - PUSSY RIOT ÈËÈ ÊÀÊ ÂÅÍÅÐÀ ÏÎÁÅÄÈ ÀÔÐÎÄÈÒÀ ÁÅÇ ÀÔÐÎÄÈÇÈÀÊ – ÀÍÒÐÀÊÒ
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Ïîñòèíãúò å áèë ñðåä íàé-ïîïóëÿðíè â êàòåãîðèÿ â Blog.bg
          ÌÎßÒ ÏÎÑËÅÄÅÍ ÏÎÑÒÅР " PUSSY RIOT" ÈËÈ ÊÀÊ ÀÔÐÎÄÈÒÀ ÏÎÁÅÄÈ ÂÅÍÅÐÀ ÁÅÇ ÀÔÐÎÄÈÇÈÀÊ  ÐÀÇÏÀËÈ ÂÚÎÁÐÀÆÅÍÈÅÒÎ ÍÀ ÌÎß ÂÈÅÍÑÊÈ ÑÚÁÅÑÅÄÍÈÊ È ÑÚÒÐÓÄÍÈÊ, ÊÎÉÒÎ Â ÄÂÅ ÏÎÑËÅÄÎÂÀÒÅËÍÈ ÏÎÑËÀÍÈß ÈÇÊÐÀÇßÂÀ ÑÂÎÈ ÑÚÎÁÐÀÆÅÍÈß ÏÎ ÒÅÌÀÒÀ.
                 ÑÌÅÒÍÀÕ ÇÀ ÖÅËÅÑÚÎÐÀÇÍÎ, ÊÀÒÎ ÊËÎÓÍÑÊÈ ÀÍÒÐÀÊÒ Â  ÌÅÆÄÓ ÎÑÍÎÂÍÈÒÅ  ÍÎÌÅÐÀ Ñ ÀÊÐÎÁÀÒÈ   ÖÈÐÊÎÂÎ ÏÐÅÄÑÒÀÂËÅÍÈÅ, ÄÀ ÃÈ ÏÓÁËÈÊÓÂÀÌ. È ÑÚÎÒÂÅÒÍÎ ÈÇÊÀÆÀ ÑÂÎÈ ÊÎÍÒÐÀÑÚÎÁÐÀÆÅÍÈß.
               ÏÚÐÂÎ, ÄÓÌÀÒÀ ÍÀ ÑÚÁÅÑÅÄÍÈÊÀ. ÈÇÈÑÊÂÀÒ ÑÅ ÌÈÍÈÌÀËÍÈ ÏÎÇÍÀÍÈß  ÏÎ ÀÍÃËÈÉÑÊÈ ÅÇÈÊ, ÅÑÒÅÑÒÂÅÍÈ ÇÀ ÈÍÒÅËÈÃÅÍÒÍÈß ×ÈÒÀÒÅË.


the following below is neither a com-
ment , nor any critics to what you *ve
written  but an  impression only  born
in my head after having read it...and...
provoked by few single words  /terms
you *ve used...




this distingtion (Aphrodite-Venus)you
*ve made is  very important in making
up  just  the difference by  receipt and
being a symbol...  =e.g.enough to look
at  (and compare! ) the famous Aphro-
dite in La Louvre    with Venera-Medici
in Uffizi...  -  almost no erotics with the
first , and absolutely  "sex-appeal" by
the second one!

mee-thinks it comes  from the differ-
ent concepts about ( the ancient  /old
Greeks and the Romans ones )...

the gesture of Venus-both hands try-
ing to cover her ( both)"shame-errect
ing parts" of the naked body appears
....-as remarkable,as confirming that !

that*s why impossible to lust with the
first one , while Pigmalion *had  done
it with the second...!

en bref:
one  can "adore" an idea/a symbol...-
like Aphrodite,but the concrete incar-
nation...,the real can and must be al-
ways only fucked!




2.

the autor of the book you cannot re-
member (The synagog*of the Satan)
is Stanislaus Przybyszewski...-...the
very book is as a matter of fact only
an essay  about ;(you mean probably
his novel"The children of the Satan"-
-also not high-carate literature /!/-
both but now-days as forgotten...,as
out-of dated...!

the very autor /who ended his life in
a hostel for aged drunk-bolds -(!) is
more interesting not by his "aesthe-
tics of the vice" as by the friendship
with Edvard Munch -  (here you have
really  a sujet for thy next essay  !) .

it is worth to regard  more  carefully
his paintings where "eros and tana-
tos"/  "dread of the sexuality and ...
la fame fatale"mingled in all possib-
le modi!

as to that "pussy-falus-ology"..- ab-
solutely  wrong my friend!- no-thing
but a provokation (!)   of the "world-
masons"  against  to the Orthodoxy
and the Russian State   by silly,fuck-
ed little whores...  (no need to re-tell
and describe thee   that mentality...-
few of our friends paid for its vanity
to boast them-selves    to  BBC  and
VOA   by spending years for nothing
in the prison!).

by the way..., why haven*t they per-
formed that scandalous spectacle in
some synagogue,or par example by
muslims ?

herewith to the   "gay"-parade  (=an
other masons* invention) ...    - if not
over already ?-that*s a sujet !!-
...as connected with  the perversity-
(so beloved to thy readers )..-,as but
actual if  not taken place, still !-  you
can elaborate it (as a sujet !)...-al-
though   the great Dante had done it
long before thee (in putting the intel-
lectual sodomites"    in the 3-rd ring
of the seventh cyrcle of his Inferno!).

and    ...as an irony to it...-   discour-
sing with .... Brunentto Latini ( a well
known thee poet and autor of the ...
first sonett in the European literature
and ....    perhaps because of this(?)
too, got a prefered genre-form by the
best amongst them...like  Petrarca...-
Michelangelo.....,Shake




a last stroke  to   the  subject   before
saying   "good-night"  and "finito"  for
to-day...

do you remember   Chisto  Simeonov-
(a very noble and intelligent paintner)
who exposed "Cosmology" in "Laugh-
ing and Tears"-theatre (mid*of the 60
ties)? -all his compositions "Gestalt"-
ed  just that..."pussy"-galaxies and  +
"phalus"-like collisions...!?

as a matter of fact    -     the secret of
every creative activity:

 a physio - (sub)-universe  errupted  in
no matter "what"    (colours,sounds...)
in gestures,speech...-incl. in letters/in
texts as in our (miserable) case !

good ni

ÍÀÊÐÀÒÊÎ ÑÞÆÅÒÚÒ ÇÀ ÂÊËÞ×ÂÀÍÅ ÍÀ ×ÈÒÀÒÅËß Â ÒÅÌÀÒÀ.
                 ÍÀ ÖÚÐÊÎÂÍÀ ÑËÓÆÁÀ  ÌÎÑÊÎÂÑÊÈ ÕÐÀÌ ÑÅ ÂÒÓÐÂÀÒ ÊÚÌ  ÀÌÂÎÍÀ  ÒÐÈ ÌÎÌÈ×ÅÒÀ   ÊÀ×ÓËÊÈ ÍÀ  ÌÎÍÀÑÈ ÊÀÏÓÖÈÍÈ. ÂÏÎÑËÅÄÑÒÂÈÅ ÒÅ ÑÅ ÐÀÇÊÐÈÂÀÒ ÊÀÒΠ ÅÑÒÐÀÄÍÀ ÃÐÓÏÀ /ÁÀÍÄÀ/ Ñ ÍÀÇÂÀÍÈÅÒÎ "ÏÓÑÑÈ ÐÀÉÀÒ"/ ÏÐÅÂÎÄ "ÁÓÍÒ ÍÀ ÂÀÃÈÍÀÒÀ"/ ÍÀ ÖÅÍÒÐÀËÍÎ ÌßÑÒÎ Â ÕÐÀÌÀ ÒÅ  ÈÇÏÚËÍßÂÀÒ ÑÀÒÈÐÈ×ÍÀ ÏÅÑÅÍ ÑÐÅÙÓ  ÄÅÉÑÒÂÀÙÈß ÐÓÑÊÈ ÏÐÅÇÈÄÅÍÒ, ÂË. ÏÓÒÈÍ, Ñ ÏÐÈÇÈ ÇÀ ÎÒÑÒÀÂÊÀ. ÑËÅÄ  ÒÀÇÈ ÕÓËÈÃÀÍÑÊÀ ÏÐÎßÂÀ - ÀÐÅÑÒ ÍÀ ÈÇÏÚËÍÈÒÅËÊÈÒÅ, ÀÆÈÎÒÀÆ Â ÐÓÑÊÀÒÀ È ÌÅÆÄÓÍÀÐÎÄÍÀ ÏÐÅÑÀ "ÇÀ" È "ÏÐÎÒÈÂ", ÑËÅÄÑÒÂÈÅ, ÑÚÄ Ñ ÄÂÅÃÎÄÈØÍÀ ÏÐÈÑÚÄÀ ÇÀ ÈÇÒÚÐÏßÂÀÍÅ  ÍÀÊÀÇÀÍÈÅ Â ÍÀÊÀÇÀÒÅËÍÀ ÊÎËÎÍÈß, ÏÐÅÄÑÐÎ×ÍÎ ÎÑÂÎÁÎÆÄÀÂÀÍÅ. ÂÅ×Å ÍÀ ÑÂÎÁÎÄÀ, ÄÂÅ ÎÒ ÏÐÅÄÑÒÀÂÈÒÅËÊÈÒÅ ÍÀ ÃÐÓÏÀÒÀ "ÏÓÑÈ ÐÀÉÚÒ"  ÏÐÅÄÏÐÈÅÌÀÒ Â ÐÎÄÈÍÀÒÀ ÑÈ È ×ÓÆÁÈÍÀ ÏÐÀÂÎÐÀÇÄÀÂÀÒÅËÍÈ ÊÀÌÏÀÍÈÈ Ñ ÏÐÎÌÅÍËÈ ÓÑÏÅÕ, ÍÎ Ñ ÍÀÐÀÑÒÂÀÙÀ ÈÇÂÅÑÒÍÎÑÒ È ÏÓÁËÈ×ÍÎÑÒ. ÏÎÍÀÑÒÎßÙÅÌ -  ÑßÍÊÀ.
                ÎÑÒÀÂÀÒ ÍÅÈÇßÑÍÅÍÈ ÄÂÀ ÂÚÏÐÎÑÀ:
                 ÏÚÐÂÎ, ÊÀÊ ÑÀ ÄÎÏÓÑÍÀÒÈ ÌÎÌÈ×ÅÒÀÒÀ  ÍÅÏÐÈÑÒÎÉÍÈß ÑÈ ÂÈÄ Â ÕÐÀÌÀ È ÊÎÉ ÍÎÑÈ ÎÒÃÎÂÎÐÍÎÑÒ ÇÀ ÒÎÂÀ.
                 ÂÒÎÐÎ, ÎÔÈÖÈÀËÍÎÒÎ ÑÒÀÍÎÂÈÙÅ ÍÀ ÐÓÑÊÀÒÀ ÏÐÀÂÎÑËÀÂÍÀ ÖÚÐÊÂÀ ÏÎ ÏÎÂÎÄ ÑËÓ×Àß.
            





                                  ÏÎÂÄÈÃÀØ  ÑÒÐÀØÍÎ ÌÍÎÃÎ ÂÚÏÐÎÑÈ, ÊÎÈÒÎ È ÍÀ ÌÅÍ ÑÀ ÕÐÓÌÂÀËÈ, ÍÎ ÑÀ ÎÒËÈÒÀËÈ ÊÀÒÎ ÂÐÀÁÅÖ ÍÅ ÊËÚÂÍÀË ÇÚÐÍÎ.
               ÕÐÈÑÒÎ ÑÈÌÅÎÍΠÏÎÇÍÀÂÀÕ È ËÈ×ÍÎ- ÒÎÉ Å ÒÂÎÉ ÑÚÃÐÀÆÄÀÍÈÍ?ÍÅ ÇÍÀÌ ÊÀÊÂÎ ÑÒÀÍÀ Ñ ÍÅÃÎ.ÍÎ ÂÏÅ×ÀÒËÅÍÈÅ ÎÑÒÀÂÈ ÒÐÀÉÍÎ È ÊÀÒÅÃÎÐÈ×ÍÎ.  È ÀÑÎÖÈÀÖÈßÒÀ  Ñ ÏÓÑÈÒÀÒÀ  ÏÐÀÂÎÌÅÐÍÀ.
                ÒÎÉ ÍÀÈÑÒÈÍÀ Å ÑÌÈÑËÎÂÎ ÌÍÎÃÎ ÊÎÍÖÅÍÒÐÈÐÀÍ  È ÇÀÐÅÄÅÍ  Ñ ÎÃËÅÄ  ÅÄÍÀ ÍÅÔÈÃÓÐÀÒÈÂÍÀ ÆÈÂÎÏÈÑ, ÊÀÊÂÀÒΠ ÆÀÍÐÎÂÎ ÒÎÉ ÏÐÅÄÑÒÀÂËßÂÀ. Ò.Å. ÍÅÃÎÂÈÒÅ ÑÒÚËÊÍÎÂÅÍÈß ÍÀ ÑÂÅÒÎÂÅ, ÄÎÏÈÐ ÍÀ ÃÀËÀÊÒÈÊÈ,  ÄÂÓÁÎÈ ÍÀ ÃÈÃÀÍÒÑÊÈ ÑÚÇÂÅÇÄÈß  È ÏÐ. ÁÅÇ ÂÑßÊÀÊÚ ÍÀÓ×ÅÍ ÈËÈ ÔÀÊÒÈ×ÅÑÊÈ ÑÓÁÑÒÐÀÒ, ÈÇÃËÅÆÄÀÒ ÄÎÑÒÎÂÅÐÍÈ, ÑßÊÀØ ÍÀÈÑÒÈÍÀ ÍÅÙÎ ÒÀÊÎÂÀ ÈÌÀ. È ÒÎ Å ÍÀ ÏÎÄÑÚÇÍÀÒÅËÍÀ ÎÑÍÎÂÀ. çÀ ÏÎÄÑÚÇÍÀÍÈÅÒÎ ÒÅ ÑÀ "ÍÀÏÐÀÙÅËÈ ÏÐÅÄ ÈÇÏÐÀÇÂÀÍÅ". ÒÚÊÌΠ ÊÎÍÑÒÐÓÊÒÈÒÅ ÌÓ Ñ ÅÐÅÃÈÐÀÍ ÔÀËÎÑ ÏÐÎÂÎÊÈÐÀÒ ÒÎÂÀ ÓÑÅÙÀÍÅ ÇÀ ÍÅÙÎ ÑÒÀÍÀËÎ ÈËÈ ÑÒÀÂÀÙÎ ÏÐÅÄ Î×ÈÒÅ ÍÈ.  ÊÀÊÒÎ ÊÀÇÂÀØÅ ÅÄÈÍ ÌÎÉ ÏÐÈßÒÅË - "ÔÀËÎÑÚÒ ÌÎÆÅ ÄÀ ÁÚÄÅ ÑÊÐÈÒ, ÍÎ ÍÅ ÍÅÇÀÁÅËßÇÀÍ".ÇÀÒÎÂÀ ÕÐÈÑÒÎ ÑÈÌÅÎÍΠ ÏÐÈÂËÈ×À ÂÍÈÌÀÍÈÅ, ÏÐÅÄ ÍÅÃÎÂÈÒÅ ÊÀÐÒÈÍÈ  ÇÐÈÒÅËßÒ ÑÅ ÑÏÈÐÀ, ÇÀÑÒÎßÂÀ , È ÒÎ ÄÎÑÒÀ ÄÚËÃÎ. ÒÎÉ ÑÚÇÍÀÒÅËÍÎ ÈËÈ ÍÅÏÐÅÄÍÀÌÅÐÅÍÎ, ÈÌÏÐÎÂÈÇÈÐÀÍÎ ÏÐÎÂÎÊÈÐÀ "ÇÀÌÈÑËÎÂÀÒÎÑÒ", "ÌÀÉÍÄÔÓËÍÅÑ","ÓÌÓÂÀÍÅ È ÓÌÍÈ×ÅÍÅ" ÅÄÍÎÂÐÅÌÅÍÍÎ. ÒÎÂÀ ÑÀ ÊÎÍÑÒÐÓÊÒÈ ÍÀÈÑÒÈÍÀ "ÈÇÌÈØËÜÎÒÈÍÈ", ÍÎ ÌÍÎÃÎ ÕÈÒÐÈ È ËÓÊÀÂÈ, ÇÀ ÄÀ ÏÐÎÂÎÊÈÐÀÒ ÓÑÅÙÀÍÅ ÇÀ "ÄÅÆÀ ÂÞ". ÄÎÐÈ ÏÐÈ ÌÅÍ, ÀÁÑÎËÞÒÍÎ ÁÅÇÓ×ÀÑÒÅÍ ÊÚÌ ÄÐÓÃÈ ÏÐÅÄÑÒÀÂÈÒÅËÈ ÍÀ ÀÁÑÒÐÀÊÒÍÀÒÀ ÆÈÂÎÏÈÑ.
                      ÒÓÊ È ÎÒÏÐÀÒÊÀÒÀ ÊÚÌ ÏÓÑÈÒÀÒÀ. ÎÑÂÅÍ ÕÓËÈÃÀÍÑÒÂÎÒÎ ÈÌ, ÖÚÐÊÎÂÍÈÖÈÒÅ ÏÎÄÑÚÇÍÀÒÅËÍÎ ÓÑÅÙÀÒ, ×Å ÂÑÚÙÍÎÑÒ ÈÌÀÒ ÐÀÁÎÒÀ Ñ "ÌÚÆÅ, ÅÄÂÀ ÑÒÀÍÀËÈ ÆÅÍÈ" /ÈËÈ ÎÁÐÀÒÍÎ!/   ÆÅÍÈ È ÌÚÆÅ ÅÄÍÎÂÐÅÌÅÍÍÎ, ÒÐÀÂÅÑÒÈÒÈ, ÊÀÊÒÎ ÑÅÃÀ ÑÅ ÂÎÄÈ ÍÅÈÇßÑÍÅÍÈß ÃÅÍÄÅÐ. ÍÅÇÀÂÈÑÈÌÎ ÎÒ ÑÅÊÑÓÀËÍÀÒÀ ÑÈ ÏÐÀÊÒÈÊÀ  ÆÈÂÎÒÀ, ÒÅ ÑÀ "ÐÅËÈÃÈÎÇÍÎ ÑÂÎÁÎÄÍÈ" È ÏÎÐÀÄÈ ÒÎÂÀ ÂÚÇÌÓÒÈÒÅËÍÈ, ÒÚÊÌÎ ÇÀÙÎÒÎ ÑÀ ÑÈ ÏÎÇÂÎËÈËÈ ÄÀ ÁÚÄÀÒ ÒÀÊÈÂÀ. ÖÚÐÊÎÂÍÈÖÈÒÅ ÈÌÀÒ ÑÒÐÀØÅÍ ÍÞÕ ÇÀ ÒÀÊÈÂÀ ÍÅÙÀ.               ÇÀÒÎÂÀ ÏÓÑÈÒÀÒÀ ÑÀ ÍÀÊÀ×ÓËÅÍÈ: ÈÌÅÍÍÎ ÏÎÐÀÄÈ ÅÐÅÊÖÈÈßÒÀ ÍÀ ÊÀ×ÓËÊÈÒÅ, ÂÈÐÍÀÒÈ ÊÀÒÎ ÍÀÏÐÀÙßË ÔÀËÎÑ, ÒÅ ÑÊÐÈÂÀÒ ÂÀÃÈÍÀÒÀ, ÎÑÒÀÂßÉÊÈ  ÎÁÀ×Å  ÏËÎÙÀÄÊÀ ÇÀ  ÍÅÉÍÈß ÁÓÍÒ. ÒÅ ÈÑÊÀÒ ÄÀ ÑÊÐÈßÒ ÏÎËÀ  ÑÈ/ÏÎ-ÒÎ×ÍÎ ÃÅÍÄÅÐÀ/, ÇÀ ÄÀ ÏÐÅÄÑÒÀÂßÒ ÀÊÖÈßÒÀ ÑÈ ÊÀÒÎ ÏÐÎÒÅÑÒ ÍÀ ÌÚÆÅ È ÆÅÍÈ ÅÄÍÎÂÐÅÌÅÍÍÎ.  ÍÀØÅ ËÈÖÅ ÖßË ÍÀÐÎÄ ÏÐÎÒÅÑÒÈÐÀ!  ÇÀÒÎÂÀ ÑÅ ÍÀÖÅËÂÀÒ ÍÀ ÏÓÒÈÍ, ÐÓÑÊÈß ÌÀ×Î Â ÏÎËÈÒÈÊÀÒÀ, ÏÐÈÂËÈ×ÀÉÊÈ ÎÒ ÀÌÂÎÍÀ  ÇÀ ÑÚÞÇÍÈÖÈ "ÁÎÆÈÈÒÅ ÑÈËÈ".
                   ÎÒ ÄÐÓÃÀ ÑÒÐÀÍÀ, ÂÅ×Å Â ÄÐÓà ÔÈËÌÈÐÀÍ ÅÏÈÇÎÄ, ÍÎ ÍÅ ÑËÓ×ÀÉÍÎ ÏÐÈÊÐÅÏÅÍ Â ÎÑÍÎÂÍÈß ÊÎÐÏÓÑ, ÅÄÍÀÒÀ ÏÓÑÈ  ÑÈ ÇÀÂÈÐÀ   ÈÇÒÎ×ÍÈÊÀ ÍÀ ÏÐÎÒÅÑÒÀ ÈÇÊÓÑÒÂÅÍ ÔÀËÎÑ - ÏÈËÅÒÎ ÂÚ ÂÀÃÈÍÀÒÀ, ÏÎÄÎÁÍÎ ÍÀ ÄÀÌÑÊÈÒÅ ÂÈÁÐÀÒÎÐÈ ÇÀ ÌÀÑÒÓÐÁÀÖÈß. ÇÀÒÎÂÀ ÒÅ ÑÀÌÈÒÅ Â ÒÀÇÈ ÀÊÖÈß ÑÀ ÊÀÒÎ ×Å ÅÐÅÃÈÐÀÍÈ, ÍÀÂÐßÍÈ ÊÀÒΠ ÏÎÕÈÒÈÒÅËÈ    ÍÀÉ-ÑÂßÒÎÒÎ ÌßÑÒÎ ÍÀ  ÖÚÐÊÂÀÒÀ. ÒÅÕÍÈÒÅ ÑÒÎÉÊÈ, ÈÇÏÐÀÂÅÍÈ È ÈÇÏÚ×ÅÍÈ, ÑÚÙÎ ÍÀÏÎÄÎÁßÂÀÒ  ÅÐÅÃÈÐÀÍÈ ÔÀËÎÑÈ.
              ÅÄÈÍÑÒÂÅÍÎ,  ÊÎÅÒÎ ÐÅØÈÒÅËÍÎ ÒÈ ÂÚÇÐÀÇßÂÀÌ Å, ×Å ÒÅ ÑÀ ÎÁÈÊÍÎÂÅÍÈ ÊÓÐÂÅÒÈÍÈ - ÏÐÎÂÎÊÀÒÎÐÊÈ.  ÊÓÐÂÅÒÈÍÈÒÅ ÄÅÉÑÒÂÀÒ ÍÀ ÒÚÌÍÎ. ÒÅ ÑÀ "ÏÓÁËÈ×ÍÈ ÆÅÍÈ"  ÑÌÈÑÚËÀ ÍÀ "ÏÓÁËÈ×ÍÎ ÄÎÑÒÚÏÍÈ". ÒÅ ÍÅ ÑÅ ÎÃËÀÑßÂÀÒ, ÒÅ ÑÅ ÌÚ×ÀÒ ÄÀ ÑÚÁËÀÇÍßÒ ÒÀÉÍÎ È ÁÅÇØÓÌÍÎ:ÌÍÎÃÎ-ÌÍÎÃÎ ÄÀ ÍÅ ÑÅ ÐÀÇÁÈÐÀ.ÅÄÈÍ ÂÈÄ  ËÎÂßÒ ÐÈÁÀ  ÌÚÒÍÀ ÂÎÄÀ. ÒÅ ÑÀ ÇÀÍÀßÒ×ÈÉÊÈ È ÍÅ ÎÒÁÈÂÀÒ ÍÎÌÅÐ ÇÀ ÅÄÈÍ-ÅÄÈÍÑÒÂÅÍ ÏÚÒ. À ÑÊÐÈÒÈ, ÐÀÁÎÒßÒ ÊÐÀÄÅØÊÎÌ, ÄÎÐÈ ÑÀÌÎ ÇÀÒÎÂÀ, ×Å ÊËÈÅÍÒÈÒÅ, ÏÎÂÅ×ÅÒÎ ÆÅÍÅÍÈ ÌÚÆÅ Ñ ÄÅÖÀ ÈËÈ  ÌËÀÄÅÆÈ Ñ ÎÔÈÖÈÀËÍÈ ÏÐÈßÒÅËÊÈ, ÍÅ ÈÑÊÀÒ ÄÀ ÑÅ ÎÁßÂßÂÀÒ. ÍÀÉ ÌÀËÊÎ ÄÀ ÑÅ ÐÀÇÁÅÐÅ ÊÚÄÅ È ÇÀÙÎ ÑÀ ÁÈËÈ ÒÀÌ.
               ÏÓÑÈÒÀÒÀ, ÊÀÊÒÎ È ÄÀ ÑÅ ÀÔÈØÈÐÀÒ ÊÀÒÎ "ÐÀÇÁÓÍÒÓÂÀÍÈ ÂÀÃÈÍÈ" ÍÅ ÑÀ ÊÓÐÂÅÒÈÍÈ. ÎÙÅ ÏÎ-ÌÀËÊÎ ÎÁÈÊÍÎÂÅÍÈ. ÒÅ ÑÀ ÍÅÙÎ ÊÀÒÎ "ÈÄÅÉÍÈ  ÕÓËÈÃÀÍÊÈ" ÏÎ ÏÎÄÎÁÈÅ ÍÀ "ÐÀÄÈÊÀËÈÇÈÐÀÍÈÒÅ ÈÑËßÌÈÑÒÈ". ÒÅ ÒÚÐÑßÒ ÏÐÎÑËÀÂÀ, ÏÐÈÇÍÀÍÈÅ, ÐÀÇÏÐÎÑÒÐÀÍÅÍÈÅ ÍÀ "ÈÄÅÈÒÅ  ÑÈ", À ÍÅ ÏÎÒÀÉÍÈ ÚÃÚË×ÅÒÀ ÇÀ ÍÀÁÈÐÀÍÅ ÍÀ ÊËÈÅÍÒÀËÀ.
                 ÏÎÂÄÈÃÀØ ÂÀÆÅÍ ÂÚÏÐÎÑ: ÊÀÊÂÎ ËÈ ÑÒÀÍÀËÎ, ÀÊÎ ÀÊÖÈßÒÀ ÑÅ ÁÅØÅ ÑÚÑÒÎßËÀ   ÕÐÀÌ ÍÀ ÄÐÓÃÀ ÌÎÍÎÒÅÈÑÒÈ×ÍÀ ÐÅËÈÃÈß: ÅÂÐÅÉÑÊÀ ÑÈÍÀÃÎÃÀ ÈËÈ ÈÑËßÌÑÊÀ ÄÆÀÌÈß.
                ÎÔÈÖÈÀËÍÈßÒ ÎÒÃÎÂÎÐ:"ÈÌ ÍÅ ÏÎÇÄÎÐÎÂÈÒÑß" ÇÀÃÀÒÂÀ  ÇÀ  ÐÀÇÏÐÀÂÀ  ÍÀ ÌßÑÒÎ.
                ÍÎ ÒÎÂÀ Å, ÇÀ ÄÀ ÑÅ ÏÐÅÄÑÒÀÂÈ ÈÇÒÎ×ÍÎÒÎ ÏÐÀÂÎÑËÀÂÈÅ ÊÀÒÎ ÍÀÉ-ÕÓÌÀÍÍÀÒÀ ÐÅËÈÃÈß.
               À ÏÎ ÑÚÙÅÑÒÂÎ, È  ÄÐÓÃÈÒÅ  ÐÅËÈÃÈÈ È ÖÚÐÊÂÈ Â ÍÀØÈ ÄÍÈ ÏÎÍÅ ÑÈÌÓËÈÐÀÒ "ÏÎËÈÒÈ×ÅÑÊÀ ÊÎÐÅÊÒÍÎÑÒ".
                 ÍÎ ÍÅ ÌÎÃÀ ÄÀ ÍÅ ÑÅ ÑÚÃËÀÑß Ñ ÒÅÁ, ×Å  ÇÀ ÒÀÊÀÂÀ ÀÊÖÈß ÏÐÀÂÎÑËÀÂÅÍ ÕÐÀÌ Å ÈÇÁÐÀÍ ÍÅ ÑËÓ×ÀÉÍÎ. ÙÅ ÈÌÀÌÅ  ÏÎÂÎÄ ÄÀ ÎÁÑÚÄÈÌ ÏÐÈ×ÈÍÈÒÅ ÏÎ-ÍÀÒÀÒÚÊ. ÒÓÊ ÑÀÌÎ ÙÅ ÎÒÁÅËÅÆÈÌ, ×Å ÓÌÈØËÅÍÎ Å ÒÚÐÑÅÍÎ ÇËÅÏÎÑÒÀÂßÍÅ ÍÀ  ÐÏÖ Â ÊÀ×ÅÑÒÂÎÒÎ É ÍÀ ÑÚÞÇÍÈÊ ÍÀ  ÐÚÊÎÂÎÄÑÒÂÎÒÎ ÍÀ ÄÚÐÆÀÂÀÒÀ.
                ÊÎËÊÎÒÎ ÄΠ ÃËÀÂÍÈß ÈÇÂÎÄ ÎÒ ÑÞÆÅÒÀ "ÏÓÑÈ ÐÀÉÚÒ"
ÑÅ ÍÀËÀÃÀ  ÇÀÊËÞ×ÅÍÈÅ ÇÀ  ÑÒÀÒÓÒÀ  ÍÀ ÆÅÍÀÒÀ ÑËÅÄ ÂÒÎÐÀÒÀ ÑÅÊÑÓÀËÍÀ ÐÅÂÎËÞÖÈß.ÎÁÐÀÇÍÎ ÊÀÇÀÍΠ ÇÀ ÎÏÈÑÀÍÈÅ ÍÀ ÑÈÍÄÐÎÌÀ:  ÍÅÃÎ ÈÌÀ "ÐÀÊ ÍÀ ÑÚÊÐÎÂÅÍÎ ÆÅÍÑÊÎÒÎ" È "ÆÈÇÍÅÑÏÎÑÎÁÍÈ ÌÅÒÀÑÒÀÇÈ" ÍÀ ÒÎÂÀ, ÊÎÅÒÎ ÈÄÅ ÑËÅÄ  ÏÚÐÂÈ×ÍÈß ÊÀÐÖÅÍÎÌ.
                ÏÎÐÀÄÈ ÒÎÂÀ  ÏÓÑÈÒÀÒÀ  ÑÀ ÏÎÂÅ×Å ÎÒ ÒÎÂÀ, ÊÎÅÒÎ ÈÌ ÑÅ ÏÐÈÏÈÑÂÀ . È ÌÍÎÃÎ ÏÎ-ÑÈÌÏÒÎÌÀÒÈ×ÍÈ ÇÀ ÏÐÎÖÅÑÈÒÅ, ÊÎÈÒÎ ÀÇ ÑÅ ÌÚ×À ÄÀ ÎÏÈØÀ.



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